HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Devil to Pay, The
Gypsy
Lost in London
Divorce Italian Style
Becky
Salon Kitty
Misbehaviour
Charles, Dead or Alive
Gretel and Hansel
Mademoiselle
Tunnel, The
India Song
Last Rhino, The
Made in Hong Kong
Ring of Spies
Rom Boys: 40 Years of Rad
Pocketful of Miracles
The Tomb: Devil's Revenge
Sidecar Racers
Space Dogs
Out/Marriage
Safety Last!
Bride Who Has Returned from Hell, The
Show Boat
Savage
City Called Dragon, A
I Used to Go Here
Six Suspects
Still the Water
Not Now, Comrade
I'm Thinking of Ending Things
Wives of the Skies
Two Heads Creek
Next Stop, Greenwich Village
Captain, The
Great Wall, A
Trout, The
Zorba the Greek
Horror Crowd, The
Matthias & Maxime
   
 
Newest Articles
A Knock on the Door at 4 O'clock in the Morning: The Strangers on Blu-ray
Wives of the Skies: Honey Lauren Interview
To Catch a Thief: After the Fox on Blu-ray
Tackling the Football Film: The Arsenal Stadium Mystery on Blu-ray
Film Noir's Golden Couple: This Gun for Hire on Blu-ray
The Doctor Who Connection: Invasion on Blu-ray
Hill's Angles: Benny Hill and Who Done It? on Blu-ray
Big Willie Style: Keep It Up Downstairs on Blu-ray
Walt's Vault: 5 Cult Movies on Disney+
Paradise Lost: Walkabout on Blu-ray
Buster Makes Us Feel Good: Buster Keaton - 3 Films (Volume 3) on Blu-ray
Network On Air: Nights In with ABC 3 - Don't Go Away - I Could Do with a Bit of Cheer Now!
What Use is Grief to a Horse? Equus on Blu-ray
For God's Sake Strap Yourselves Down: Flash Gordon on 4K UHD Collector's Edition
Party Hard: Bill & Ted's Excellent Adventure on Blu-ray
Network On Air: Nights In with ABC 2 - Your Faces are All Blurred!
Eve Knew Her Apples: The Lady Eve on Blu-ray
Network On Air: Tempo - Gallery One
Network On Air: Nights In with ABC 1 - Welcome Once Again to Manchester!
Transformative Apocalypses: Phase IV and Southland Tales
The Happiest Days of Their Lives: The Guinea Pig on Blu-ray
Faced Poe: Three Edgar Allan Poe Adaptations Starring Bela Lugosi on Blu-ray
Hard Luck, Buster: The Cameraman on Blu-ray
At the Hop: Mr. Vampire on Blu-ray
Divine Madness: Female Trouble on Blu-ray
   
 
  Rurouni Kenshin Back-Blade In Motion
Year: 2012
Director: Keishi Ohtomo
Stars: Takeru Satô, Emi Takei, Yû Aoi, Teruyuki Kagawa, Yôsuke Eguchi, Munetaka Aoki, Taketo Tanaka, Kôji Kikkawa
Genre: Action, Historical, AdventureBuy from Amazon
Rating:  6 (from 1 vote)
Review: The Bakumatsu war of nineteenth century Japan has now ended, prompting the nation to build on the outcome and modernise itself, leaving the samurai codes and more importantly samurai violence well behind. Or that’s what they hope, most of them at any rate, as there are still elements in the land who would prefer to manipulate the new status quo to their own ends, selfishly preying on the populace. One of the surviving fighters is Kenshin (Takeru Satô), an expert assassin whose forte was to take on large numbers of opponents all at once and defeat them with his expert swordplay, but now his blood drenched past is something he wishes to abandon, so he wanders this revitalised country somewhat lost… until someone wishes to dredge up that past.

Rurouni Kenshin was one of those movies drawn from a comic book which most of the blockbusters released out of Hollywood seemed to be by the twenty-first century, although the Japanese had been taking inspiration from that source with far more enthusiasm for far longer. The lead character wasn’t a superhero, though he may as well have been given his fancy moves with his sword, but he was adapted before this movie into an anime series, which was really where the films based on his adventures were taken from, that’s right, films, as this proved enough of a hit to greenlight a couple more entries in the franchise from writer and director Keishi Ohtomo, which were similarly well-received.

Even by those notoriously hard to please fans of the source, most of them anyway, who appreciated Ohtomo’s way with crafting plotlines that were faithful to the original and its personalities, though were not slavish copies, merely rendering what had been perfectly fine in cartoon form with live action; it had a degree more individual flair than that. The selling point would be the action sequences, and while the fashion around this time was for fast cutting, highly kinetic presentations, this struck a happy medium betwixt past and present styles, thereby showing its cast could indeed perform their fighting moves with somewhere approximating the necessary skill to convince the audience we were in safe hands as far as that went.

But don’t go thinking there was wall to wall combat with very little of anything much in between, for there was a goodly amount of musing over what the place for a man of violence should be in the modern world (OK, it was set in the eighteen-hundreds, but the plot was drawing parallels in an “every story is about the era it’s made, rather than set” sort of way). The crucial thing was that Kenshin had renounced his professional career as an assassin, and though he still carried a sword, it was a “back-blade” which meant the cutting edge was on the other side to the usual manner, meaning if he was prompted into a fight with it, he would not hurt anyone even if he could defend himself. That was important, as that notion of defence would extend to helping others who crossed his path.

Which, one supposes, was the answer to the question what does a man of violence do with his skills when he’s supposedly no longer needed, which was defend people because as the film sadly admits, those skills will never go out of fashion when there remain evildoers who make it their business to exploit and destroy, such as the main villain here, the gangster Kanryuu Takeda (Teruyuki Kagawa). He is trying to get the city hooked on a new strain of opium which can easily turn deadly if he has anything to do with it, and Kenshin is the man to stop him, even if he doesn’t know it yet as he is unexpectedly gathered into the bosom of a surrogate family consisting of Kaoru (Emi Takei), a swordplay student who believes hopelessly in the nobility of the martial art, little Saito (Yôsuke Eguchi) and Takeda’s brains behind the manufacture of the drugs, Megumi (Yû Aoi) who wants to escape his clutches. With figures from Kenshin’s former life making their presence felt, perhaps there was a shade too much stuffed into the narrative, and it was yet another action movie to kidnap its lead female, but it was punchy and thoughtful where it counted. Music by Naoki Satô.
Reviewer: Graeme Clark

 

This review has been viewed 1571 time(s).

As a member you could Rate this film

 
Review Comments (2)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star is the best at shouting?
Arnold Schwarzenegger
Brian Blessed
Tiffany Haddish
Steve Carell
Olivia Colman
Captain Caveman
Sylvester Stallone
Gerard Butler
Samuel L. Jackson
Bipasha Basu
   
 
   

Recent Visitors
Graeme Clark
Darren Jones
Paul Smith
Andrew Pragasam
  Lee Fiveash
  Mick Stewart
Enoch Sneed
  Dsfgsdfg Dsgdsgsdg
   

 

Last Updated: