HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
1 chance sur 2
Betterman
Scooby-Doo! Abracadabra-Doo
Yin Yang Master, The
Hail, Mafia!
Nancy Drew and the Hidden Staircase
Mirai
Strange House, The
Morfalous, Les
Dreambuilders
Everything Went Fine
Lux AEterna
Rum Runners
Fairy and the Devil, The
Mad God
Outside the Law
I Remember Mama
Superman Unbound
Lawrence of Belgravia
House Across the Lake, The
Wonder Park
Hornsby e Rodriguez
Operation Mincemeat
5 Kung Fu Daredevil Heroes
Scoob!
Earwig
Offseason
Peau Douce, La
Double Indemnity
Na Cha and the Seven Devils
Deep Murder
Superman vs. the Elite
Adam Project, The
Osamu Tezuka's Last Mystery of the 20th Century
Horse, La
Buffaloed
Train Robbers, The
Let Sleeping Cops Lie
Abominable
Funeral, The
   
 
Newest Articles
3 From Arrow Player: Sweet Sugar, Girls Nite Out and Manhattan Baby
Little Cat Feat: Stephen King's Cat's Eye on 4K UHD
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
   
 
  Popeye the Sailor meets Sindbad the Sailor Strong To The Finish
Year: 1936
Director: Dave Fleischer
Stars: Jack Mercer, Mae Questel, Gus Wickie, Lou Fleischer
Genre: Comedy, Animated, FantasyBuy from Amazon
Rating:  8 (from 2 votes)
Review: Sindbad the Sailor (voiced by Gus Wickie) lives on an island in the middle of the ocean on the back of a whale, or so he claims, and is a boastful sort who likes to sing of his exploits as the "most remarkable, extraordinary fellow" while his menagerie of exotic animals which he has collected over the years join in on the chorus. He keeps these creatures in line with a regular, well-placed biff to the head, so his lions, gorillas and dragons will never try to best him, knowing he is too strong, and even his two-headed monster and giant Rokh, a huge bird, follow his every command. However one morning when Sindbad is singing his song, he is interrupted by a voice drifting over the sea: Popeye the Sailor (Jack Mercer)!

Popeye the Sailor's song is far better known than Sindbad's anyway, even today, such is its catchiness, and he used it to herald his every appearance in the Fleischer Brothers' cartoons which starred him, making him immediately recognisable: it was like an advertising jingle, and just as in the world of commerce, the world of animation in the nineteen-thirties was one of fierce rivalry. The Fleischers' main rival was Walt Disney, and as we now are well aware they may have won various battles, but Disney won the war as his company endured into the twenty-first century while they struggled in the forties and eventually fell away.

But those battles they succeeded in were worthy, including producing the first sound cartoon which even to this day Disney gets the credit for instead, but one of their most notable achievements was the run of three Technicolor Popeye cartoons of the late thirties. This was the first, twice the length of the black and white one reelers that had gone before and plonking the familiar characters down in a fable, as if to indicate to the audience that this was something special. Popeye, Olive Oyl (voiced by Mae Questel, also the voice of Betty Boop) and Bluto would adopt different roles in each of the shorts, but they were placed in a milieu recognisable to contemporary audiences.

So Popeye would not show up in medieval times as a knight, for example, as a regular Warner Bros. character might, he had to be grounded in some familiar reality even as the adventures he got involved with featured outlandish violence of the sort superheroes get stuck into in blockbusters, only with more of a sense of humour. The Fleischers were taking a gamble with these colour efforts and casting Bluto as Sindbad was one thing, yet having him kidnap Olive was certainly the kind of activity he would regularly get up to before, as he does here. This gamble paved the way for feature length cartoons with the Disney Snow White and the Seven Dwarfs, but these guys never took to the longer format as well as their opponents did, which some saw as the reason they did not last.

They undoubtedly had popular characters with this line of animation, and all of it hand drawn, mixed with so-called tabletop backgrounds, actual models the characters could be placed over for the illusion of depth; director Dave Fleischer had used that before in the seven minute works, but the process really came into its own in these colour efforts, rendering them some of the best looking of their era. If you thought you'd prefer to see Popeye and company in a more traditional milieu, then you were not going to get on with the fairy tale versions, though audiences of the day loved these and flocked to them, in their way the signalling what much loved characters would do when they were taken out of the short form and into a production lasting over an hour, which may be a mixed blessing: Bugs Bunny playing sci-fi basketball in Space Jam was not exactly satisfying. Here, however, the Fleischers got it right, since no matter the plot, flimsy as it was, they were still the same cartoons, Popeye still sounded like Popeye, and the jokes were as surreal as ever. The eye-catching colour process was the icing on the cake.
Reviewer: Graeme Clark

 

This review has been viewed 3259 time(s).

As a member you could Rate this film

 
Review Comments (3)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Darren Jones
Andrew Pragasam
Mary Sibley
Enoch Sneed
Graeme Clark
  Desbris M
  Sheila Reeves
Paul Smith
   

 

Last Updated: