HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
American Fiction
Poor Things
Thunderclap
Zeiram
Legend of the Bat
Party Line
Night Fright
Pacha, Le
Kimi
Assemble Insert
Venus Tear Diamond, The
Promare
Beauty's Evil Roses, The
Free Guy
Huck and Tom's Mississippi Adventure
Rejuvenator, The
Who Fears the Devil?
Guignolo, Le
Batman, The
Land of Many Perfumes
Cat vs. Rat
Tom & Jerry: The Movie
Naked Violence
Joyeuses Pacques
Strangeness, The
How I Became a Superhero
Golden Nun
Incident at Phantom Hill
Winterhawk
Resident Evil: Welcome to Raccoon City
Maigret Sets a Trap
B.N.A.
Hell's Wind Staff, The
Topo Gigio and the Missile War
Battant, Le
Penguin Highway
Cazadore de Demonios
Snatchers
Imperial Swordsman
Foxtrap
   
 
Newest Articles
3 From Arrow Player: Sweet Sugar, Girls Nite Out and Manhattan Baby
Little Cat Feat: Stephen King's Cat's Eye on 4K UHD
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
   
 
  Good Vibrations The Single Life
Year: 2012
Director: Lisa Barros D'Sa, Glenn Leyburn
Stars: Richard Dormer, Jodie Whittaker, Liam Cunningham, Dylan Moran, Mark Ryder, Kerr Logan, Andrew Simpson, Karl Johnson, Killian Scott, David Wilmot, Diarmuid Noyes, Adrian Dunbar, Niall Wright, Demetri Goritsas, Ruth McCabe
Genre: Biopic, MusicBuy from Amazon
Rating:  6 (from 1 vote)
Review: Terri Hooley (Richard Dormer) remembers Belfast in the nineteen-sixties as a delightful place full of colour and tunes, even though his father's left-leaning politics and attempts to secure a place as a local politician ended both in failure and with Terri getting an arrow fired into his eye by aggrieved kids. He lost the eye and once the seventies came around he began to lose his friends as The Troubles gripped the land; before that happened his mates had identified themselves as socialists, Communists, anarchists, pacifists, and so on, yet afterwards there were only two types of people you could belong to, Catholics or Protestants. These were grim times of murder, unrest and fear...

So what could Terri, who becomes our hero, do to lighten the burden on his fellow Northern Irish citizens? How about adding a little music to their lives? The power of that art was not to be underestimated in Good Vibrations, the biopic which took its name from the record shop he opened on one of the most notorious and bomb-afflicted streets in the capital, as music as a unifying force for all those who did not wish to resort to violence and bigotry of whichever stripe was the song the movie was singing. Hooley's claim to fame was his discovery of The Undertones, the most famous punk band to emerge from the region aside perhaps from Stiff Little Fingers, and this association was played up in the publicity.

Actually, as it unfolded in the film you would notice that aside from establishing the band as a musical force to be reckoned with Hooley didn't play much of a part in their lives, with the recording of Teenage Kicks and its effect on all the characters' lives taking up about twenty minutes of screen time. In fact, the band who stuck by Hooley (or did he stick by them?) was Rudi and the Outcasts, a considerably more obscure band whose big shot at glory we are told here was scuppered when he didn't press any copies of the single they were promoting on television, which not so much implies as outright states he wasn't exactly the most capable manager, and his methods left a lot to be desired.

On the other hand, his passion for the music was never in doubt as directors Lisa Barros D'Sa and Glenn Leyburn traced Hooley's journey from a DJ playing to two punters in a quiet bar to putting on a huge punk show which will save his shop, illustrating how important he was to shaping the tastes of a generation. Although he is threatened by aggressive attention from both the terrorists and the police, neither of which he has any time for, Hooley's worst enemy would appear to be himself, which fashions an interesting and complex man when the alternative could have been a starry-eyed hagiography, except the context was so serious you doubt the filmmakers could have got away with that.

Good Vibrations' concept of the period was at times lacking, simply because they were contrasted against the newsreel footage which made us see what the place really looked like, and how some of the worst wigs the creative team could apparently find were not going to be wholly convincing; it also had that televisual mood to it, not perhaps surprising when it was a co-production with the BBC (who at least were able to supply that footage and more). Jodie Whitaker played Mrs Hooley, a somewhat thankless role when she has to act as the haranguing voice of reason as her husband's schemes get out of hand, but the movie's strength was that it had something to say about the value of pure entertainment and generous good humour in the face of a society telling you to shut up and put up with an atmosphere of ashen-faced repression. Not that those trying against the odds to have a good time don't suffer, but the film endorses them, telling us they were not wrong, and Dormer's powerful, charismatic performance was key to that. David Holmes took care of the music, along with co-producing.
Reviewer: Graeme Clark

 

This review has been viewed 3135 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Enoch Sneed
Darren Jones
  Louise Hackett
Mark Le Surf-hall
Andrew Pragasam
Mary Sibley
Graeme Clark
  Desbris M
   

 

Last Updated: