HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
Found Footage Phenomenon, The
Night Trap
Skinny Tiger, Fatty Dragon
Benediction
Nezha Reborn
Evil Toons
Worst Person in the World, The
Whirlpool
Hunter Will Get You
Superman/Batman: Apocalypse
Revolver
Men, The
Parallel Mothers
Sadness, The
Bloody New Year
Faye
Body Count
Spider-Man: No Way Home
'Round Midnight
Wild Men
Barry & Joan
Wake Up Punk
Twin, The
Wheel of Fortune and Fantasy
One of These Days
Lift to the Scaffold
Savage Dawn
Rest in Pieces
Innocents in Paris
We're All Going to the World's Fair
Beyond the Door 3
Jules et Jim
Love Jones
Saint-Narcisse
Souvenir Part II, The
Knockabout
400 Blows, The
Virus: 32
Studio 666
Great Movement, The
   
 
Newest Articles
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
The Punk Rock Movie: Out of the Blue on Blu-ray
Yeah, Too Quiet: The Great Silence on Blu-ray
   
 
  Oz the Great and Powerful A Wiz of a Wiz, if ever a Wiz there was
Year: 2012
Director: Sam Raimi
Stars: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox, Stephen R. Hart, Abigail Spencer, Bruce Campbell, Ted Raimi, Tim Holmes, Toni Wynne, Rob Crites
Genre: Fantasy, AdventureBuy from Amazon
Rating:  7 (from 2 votes)
Review: Escaping an angry mob by a hot air balloon, small-time stage magician and con artist Oscar Dobbs (James Franco), a.k.a. Oz, is caught in a twister that hurls him from sepia-toned turn-of-the century Kansas into the gloriously colourful land of Oz. A beautiful witch named Theodora (Mila Kunis) promptly mistakes Oz, on account of his stage-name, for the great and powerful wizard whose arrival has been long prophesied. Working his charms on Theodora and her equally striking sister, Evanora (Rachel Weisz) at the Emerald City, Oz cynically seizes his shot at fortune and glory. Until he learns the imperilled inhabitants expect him to save them from the terrible Wicked Witch and her army of vicious flying baboons. Reluctantly embarking on this quest, Oz gains a companion in kind-hearted flying monkey, Finlay (voiced by Zach Braff) and forms a life-altering friendship with a fragile little orphaned China Girl (voiced by Joey King) and the lovely, benevolent Glinda the Good Witch (Michelle Williams), who bears a remarkable resemblance to someone once close to his heart.

As lovingly crafted by the wizardly Sam Raimi, this sprightly prequel is a delight for Oz fans, not only evoking a sense of wonder similar to the much beloved MGM musical but disarmingly heartfelt and eloquent in reflecting themes from the original books by L. Frank Baum. Baum’s stated intention was to create a truly American myth, an allegorical interpretation of the immigrant story. The course of the narrative in Oz the Great and Powerful quite ingeniously reflects the forging of a nation, of disparate people united to an extent by illusion and flimflammery but also faith, perseverance and ingenuity. Little wonder this story appealed to the famously industrious Walt Disney. This marks the Disney studio’s third crack at adapting Oz for the screen. After a failed bid to adapt Baum’s original book, Disney procured the film rights to his remaining thirteen novels. But the studio stumbled with the never-completed Rainbow Road to Oz and the costly flop of Walter Murch’s haunting and underrated Return to Oz (1985).

Some critics claim the film is less Raimi’s brainchild than the work of producer Joe Roth, the man behind Alice in Wonderland (2010) and Snow White and the Huntsman (2012) and a director in his own right. Yet the film is far from impersonal and instead finds Raimi subverting a corporate controlled product into something deeply personal. In retrospect Oz imagery has been present throughout Raimi’s past work. Most notably in The Evil Dead trilogy with its malevolent trees, cackling witches and storm-displaced hero whisked off to a far and distant land. In interviews Raimi has spoken of the Oz character as reflecting his self-image, anxieties and all. A master of smoke and mirrors, trickery and illusion, whose lifelong pursuit of glory led him to lose sight of his nobler human qualities.

Charismatically embodied by James Franco, Oz is a far more morally complex protagonist than pure-hearted Dorothy Gale. He is a feckless, self-serving seducer and con man not too dissimilar from the later incarnation of Ash found in Army of Darkness (1993), yet graced with a conscience and ultimately redeemable. Raimi retains the Jungian concept underlining The Wizard of Oz (1939) with varied characters that become the physical embodiments of Oz’s nagging conscience (Finlay), innate decency (China Girl) and self-belief (Glinda). In dual roles, Zach Braff injects welcome warmth and quirky humour while Joey King is wonderful and often heart-rending as the little China Girl who is very much the film’s moral centre. While Franco continues to impress as a leading man, the tone is arguably defined by the three female leads. Michelle Williams gives a beautifully pitched performance as the luminous embodiment of everything honest, unselfish and pure while Mina Kunis, in divertingly tight leather pants, delivers the most affectingly nuanced turn as she segues from love to hurt and embittered rage. Sadly, Rachel Weisz emerges the weak link though one could argue her hesitancy befits the role of someone less in control of events than they believe.

Unlike James Cameron, Raimi has no pretensions as to the artistic importance of 3D beyond simple fun. He revels in its eye-popping possibilities, unleashing all manner of candy coloured funhouse effects with childlike glee, yet nobly resists inflating Baum’s poetic story into a bombastic exercise in techno-whimsy. There are gosh-wow moments and spooky set-pieces in abundance but this remains an inherently warm-hearted and humane adventure yarn instead of an action fest, which is as it should be. The plot incorporates an array of clever allusions to the original Wizard of Oz, including a nod to its musical origins with an amusing running gag that has Oz repeatedly prevent characters from bursting into song. And for all long-time Raimi fans, yes, Bruce Campbell does put in a cameo. And true to form, he does get smacked around.


Reviewer: Andrew Pragasam

 

This review has been viewed 3552 time(s).

As a member you could Rate this film

 

Sam Raimi  (1959 - )

Precociously talented American director with a penchant for horror/fantasy and inventive camerawork. Raimi made a huge impact with his debut film The Evil Dead at the tender age of 22, a gory, often breathtaking horror romp made on a tiny budget with a variety of friends from his hometown of Detroit. Follow-up Crimewave was a comic misfire, but Evil Dead 2 and Army of Darkness were supremely entertaining, while tragic superhero yarn Darkman was Raimi's first time wielding a big budget.

Raimi showed a more serious side with the baseball drama For Love of the Game, thriller A Simple Plan and supernatural chiller The Gift, before directing one of 2002's biggest grossing films, Spider-Man. Spider-Man 2 was released in summer 2004, with Spider-Man 3 following two years later. He then returned to outright horror with the thrill ride Drag Me to Hell, and hit Wizard of Oz prequel Oz the Great and Powerful after that. On the small screen, Raimi co-created American Gothic and the hugely popular Hercules and Xena series. Bruce Campbell usually pops up in his films, as does his trusty Oldsmobile car.

 
Review Comments (1)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Graeme Clark
Andrew Pragasam
Mary Sibley
  Desbris M
  Sheila Reeves
Darren Jones
Paul Smith
Enoch Sneed
   

 

Last Updated: