HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
True Don Quixote, The
Babymother
Mitchells vs. the Machines, The
Dora and the Lost City of Gold
Unholy, The
How to Deter a Robber
Antebellum
Offering, The
Enola Holmes
Big Calamity, The
Man Under Table
Freedom Fields
Settlers
Boy Behind the Door, The
Swords of the Space Ark
I Still See You
Most Beautiful Boy in the World, The
Luz: The Flower of Evil
Human Voice, The
Guns Akimbo
Being a Human Person
Giants and Toys
Millionaires Express
Bringing Up Baby
World to Come, The
Air Conditioner
Fear and Loathing in Aspen
Kandisha
Riders of Justice
Happiest Day in the Life of Olli Maki, The
For Those Who Think Young
Justice League: War
Fuzzy Pink Nightgown, The
Plurality
Scooby-Doo! Moon Monster Madness
Night of the Sharks
Werewolves Within
Honeymoon
King and Four Queens, The
Stray Dolls
   
 
Newest Articles
A Monument to All the Bullshit in the World: 1970s Disaster Movies
Take Care with Peanuts: Interview with Melissa Menta (SVP of Marketing)
Silent is Golden: Futtocks End... and Other Short Stories on Blu-ray
Winner on Losers: West 11 on Blu-ray
Freewheelin' - Bob Dylan: Odds and Ends on Digital
Never Sleep: The Night of the Hunter on Blu-ray
Sherlock vs Ripper: Murder by Decree on Blu-ray
That Ol' Black Magic: Encounter of the Spooky Kind on Blu-ray
She's Evil! She's Brilliant! Basic Instinct on Blu-ray
Hong Kong Dreamin': World of Wong Kar Wai on Blu-ray
Buckle Your Swash: The Devil-Ship Pirates on Blu-ray
Way of the Exploding Fist: One Armed Boxer on Blu-ray
A Lot of Growing Up to Do: Fast Times at Ridgemont High on Blu-ray
Oh My Godard: Masculin Feminin on Blu-ray
Let Us Play: Play for Today Volume 2 on Blu-ray
Before The Matrix, There was Johnny Mnemonic: on Digital
More Than Mad Science: Karloff at Columbia on Blu-ray
Indian Summer: The Darjeeling Limited on Blu-ray
3 from 1950s Hollyweird: Dr. T, Mankind and Plan 9
Meiko Kaji's Girl Gangs: Stray Cat Rock on Arrow
Having a Wild Weekend: Catch Us If You Can on Blu-ray
The Drifters: Star Lucie Bourdeu Interview
Meiko Kaji Behind Bars: Female Prisoner Scorpion on Arrow
The Horror of the Soviets: Viy on Blu-ray
Network Double Bills: Tarka the Otter and The Belstone Fox
   
 
  Pretty Baby Child Bride
Year: 1978
Director: Louis Malle
Stars: Brooke Shields, Keith Carradine, Susan Sarandon, Frances Faye, Antonio Fargas, Matthew Anton, Diana Scarwid, Barbara Steele, Seret Scott, Cheryl Markowitz, Susan Manskey, Laura Zimmerman, Miz Mary, Gerrit Graham, Mae Mercer, Don Hood
Genre: Drama, HistoricalBuy from Amazon
Rating:  4 (from 1 vote)
Review: Tonight Hattie (Susan Sarandon) is giving birth to her second child, although the infant's prospects are not great seeing as how his mother is a prostitute and lives in a Storyville brothel in the New Orleans of 1917. Hattie's other child is twelve-year-old Violet (Brooke Shields), and she is excited at the news she has a baby brother, so runs around the establishment telling everyone she can about the arrival, although there are few who are interested, preferring to get on with their work. Only the piano player Professor (Antonio Fargas) humours her, but even he doesn't really connect with her, as he is more of an observer in this environment...

And the "What the hell were they thinking?" award for moviemaking goes to... Pretty Baby! At the time this came out in America, and indeed the rest of the world, there was a genuine, growing concern about child exploitation, especially of the sexually abusive kind. We're used to people being up in arms about the subject now, and rightly so, but this film was released about the only time that the production could have got away with it, this being the seventies where barriers were in the process of being broken down as to what you could depict onscreen. If you were to release a non-judgemental work about child prostitution now, it would be surprising if anyone would go to see it, or even admit to wanting to.

So it's the blandly uncritical camera of Louis Malle, working with co-writer and producer Polly Platt, which gives rise to the most troubling aspect of the film, with the brothel itself depicted not as a setting of depressing degredation, but almost an airy-fairy fantasy land where nothing so terrible happens that it cannot be laughed off later. If it were showing a brothel of the seventies it's doubtful if they would have been quite so blasé, but here their excuse appeared to be that as it was harkening back to another era, then they could rely on Sven Nykvist's photography to lend it the sepia tones of nostalgia. The distance of time in the story doesn't exactly make it any more palatable to the sensitive viewers in the audience, of course.

Those sensitive viewers being about ninety percent of the audience, one assumes, as with no especially awful consequences for the characters in relation to their actions, the film came too close to endorsing what was going on. Not that the filmmakers were encouraging paedophilia, it's just that they don't seem to have thought through how the results of their tale, which was based on actual people of the time shown, would appear. For the first half hour it's all lazy mood and not much happening, and despite young Violet running around the whorehouse little occurs that make it stand out from the average period piece. Then arrives a scene which will have most reasonable people feeling decidedly uncomfortable.

This is where Violet's virginity is auctioned off to a group of wealthy businessmen one night, all with the blessing of Hattie who as we see is hardly more mature in her outlook than her daughter is. The sight of all these dirty old men bidding for the girl is truly unsettling, and although Malle wasn't foolish enough to shoot anything explicit, it's clear what is going to happen to her and the fact that Violet shrugs off her experience right afterwards is not reassuring. It doesn't help that she is one of a host of weakly written characters who lapse too often into cliché, and Shields was not actress enough to bring any depth to her, not that there was much other than Violet's tantrums to exhibit any inspiration. Keith Carradine plays the chaste photographer who takes the girl away from all this, but he's just as much a creep as the customers, and it's the way that the film seems reluctant to recognise this, or indeed how immoral the entire story was, that means it's one of the hardest movies to recommend. Music by Gerald Wexler.
Reviewer: Graeme Clark

 

This review has been viewed 2745 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Graeme Clark
Andrew Pragasam
Darren Jones
Enoch Sneed
  Desbris M
  Paul Tuersley
  Chris Garbutt
  Sdfadf Rtfgsdf
   

 

Last Updated: