HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
American Fiction
Poor Things
Thunderclap
Zeiram
Legend of the Bat
Party Line
Night Fright
Pacha, Le
Kimi
Assemble Insert
Venus Tear Diamond, The
Promare
Beauty's Evil Roses, The
Free Guy
Huck and Tom's Mississippi Adventure
Rejuvenator, The
Who Fears the Devil?
Guignolo, Le
Batman, The
Land of Many Perfumes
Cat vs. Rat
Tom & Jerry: The Movie
Naked Violence
Joyeuses Pacques
Strangeness, The
How I Became a Superhero
Golden Nun
Incident at Phantom Hill
Winterhawk
Resident Evil: Welcome to Raccoon City
Maigret Sets a Trap
B.N.A.
Hell's Wind Staff, The
Topo Gigio and the Missile War
Battant, Le
Penguin Highway
Cazadore de Demonios
Snatchers
Imperial Swordsman
Foxtrap
   
 
Newest Articles
3 From Arrow Player: Sweet Sugar, Girls Nite Out and Manhattan Baby
Little Cat Feat: Stephen King's Cat's Eye on 4K UHD
La Violence: Dobermann at 25
Serious Comedy: The Wrong Arm of the Law on Blu-ray
DC Showcase: Constantine - The House of Mystery and More on Blu-ray
Monster Fun: Three Monster Tales of Sci-Fi Terror on Blu-ray
State of the 70s: Play for Today Volume 3 on Blu-ray
The Movie Damned: Cursed Films II on Shudder
The Dead of Night: In Cold Blood on Blu-ray
Suave and Sophisticated: The Persuaders! Take 50 on Blu-ray
Your Rules are Really Beginning to Annoy Me: Escape from L.A. on 4K UHD
A Woman's Viewfinder: The Camera is Ours on DVD
Chaplin's Silent Pursuit: Modern Times on Blu-ray
The Ecstasy of Cosmic Boredom: Dark Star on Arrow
A Frosty Reception: South and The Great White Silence on Blu-ray
You'll Never Guess Which is Sammo: Skinny Tiger and Fatty Dragon on Blu-ray
Two Christopher Miles Shorts: The Six-Sided Triangle/Rhythm 'n' Greens on Blu-ray
Not So Permissive: The Lovers! on Blu-ray
Uncomfortable Truths: Three Shorts by Andrea Arnold on MUBI
The Call of Nostalgia: Ghostbusters Afterlife on Blu-ray
Moon Night - Space 1999: Super Space Theater on Blu-ray
Super Sammo: Warriors Two and The Prodigal Son on Blu-ray
Sex vs Violence: In the Realm of the Senses on Blu-ray
What's So Funny About Brit Horror? Vampira and Bloodbath at the House of Death on Arrow
Keeping the Beatles Alive: Get Back
   
 
  Thank You for Smoking Death Is His Business And Business Is Good
Year: 2005
Director: Jason Reitman
Stars: Aaron Eckhart, Maria Bello, William H. Macy, Katie Holmes, David Koechner, Cameron Bright, J.K. Simmons, Rob Lowe, Robert Duvall, Kim Dickens, Sam Elliott, Adam Brody, Todd Louiso, Jeff Witzke, Daniel Travis, Dennis Miller, Connie Ray, Melora Hardin
Genre: ComedyBuy from Amazon
Rating:  7 (from 1 vote)
Review: Nick Naylor (Aaron Eckhart) is on T.V. today. This is because of his occupation as a representative of the tobacco industry in America, a lobbyist who tries to sell as many packs of cigarettes to the public by downplaying the fact that their product kills the equivalent of two crashing jumbo jets worth of people every day. It sounds like a tough job, but Nick has taken to it like a duck to water, a smooth-talking huckster who, for example, can turn the T.V. audience's opinion around and end up shaking hands with the cancer-stricken boy the anti-tobacco campaigners placed on the show to make him look bad. But what does his young son (Cameron Bright) make of all this?

Thank You for Smoking might not have made a massive splash at the box office, but it perfectly summed up something of the time it was made, where health issues were making bogeymen out of all those companies which sold things to us we were well aware were bad, but bought anyway because we enjoyed them. It was adapted from the novel by Christopher Buckley by director Jason Reitman, bringing a jaunty snap to a subject that could have been a lumbering, staggering, coughing wreck of a lecture. Nick is an anti-hero who Reitman, assisted by Eckhart's predatory charm, treats as an out and out hero, which made some audiences dubious about what they were being sold here.

Much as buyers of cigarettes might do well to be suspicious about what they are drawing into their blackening lungs every day, in fact. The effect of this is that we want to see Nick get away with murder, pretty much literally, as everyone who tries to stand up to him is a self-righteous weasel to the point of an insufferable holier-than-thou tone. He meets with two other friends who as a collective call themselves the Merchants of Death: the alcohol lobbyist (Maria Bello) and the firearms representative (David Koechner). They all know that their products cause thousands of deaths a year, yet Nick feels he is the most put-upon of the three, what with the media breathing down his neck, not to mention the doctors and politicians.

Nick has an idea to make more money for his bosses, and that is to put product placement for tobacco into movies, venturing to Los Angeles and meeting Hollywood bigshot Rob Lowe, one of a cast who pitch their performances just the right side of parody while making you recognise the shark's grin beneath the surface. The agent decides that the way to the world's hearts is through making a science fiction epic that glamourises smoking, but before this plan can get underway Nick finds himself in trouble. He has been subpoenaed to appear before a government body who want to place a skull and crossbones on cigarette packs, and worse, he has been targeted by a vigilante group who want him out of the way, a development that skirts too close to overstatement.

But for all the smartass humour and razor sharp editing, there's a message about the malleable nature of truth here. The truth is that smoking kills those who partake of its pleasures in huge numbers, but Nick can make any attempts to hammer home this fact look like a serious infringement on personal freedoms. If people want to smoke being aware of the dangers, why shouldn't they? Probably because anyone dying of cancer doesn't think that their habit was absolutely worth it, but Reitman makes it look too easy to knock down the anti-smoking, and by extension pro-health in general groups, with doubletalk and manipulation of data skewed to back up Nick's claims. Nick's son looks up to his dad largely because he uses his powers of persuasion on the boy as easily as he does the public, and the film plays on Nick's guilt for being so Machiavellian, though not so much that he relents and changes his ways. Cynical, yes, but of its era, that too. Music by Rolfe Kent.
Reviewer: Graeme Clark

 

This review has been viewed 3995 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Darren Jones
Enoch Sneed
  Louise Hackett
Mark Le Surf-hall
Andrew Pragasam
Mary Sibley
Graeme Clark
  Desbris M
   

 

Last Updated: