HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
 
Newest Reviews
Annette
Shepherd
Dying to Divorce
Bad Luck Banging or Loony Porn
Trouble with Being Born, The
Last Matinee, The
Strings, The
Free Hand for a Tough Cop
People Just Do Nothing: Big in Japan
Dear Future Children
Accidental Luxuriance of the Translucent Watery Rebus
Swallow
Thin Red Line, The
Petite Maman
Fast & Furious 9
Sundown: The Vampire in Retreat
Sweet Thing
Maelstrom
Father, The
Shang-Chi and the Legend of the Ten Rings
Night House, The
Father of Flies
80,000 Years Old
Dead & Beautiful
Bull
Censor
Sleep
Freaky
Nightbooks
Whisker Away, A
Wild Indian
Whale Island
Chuck Steel: Night of the Trampires
Don't Breathe 2
Closing Time
Cryptozoo
Weathering with You
Rim of the World
Love & Basketball
JLA Adventures: Trapped in Time
   
 
Newest Articles
The Punk Rock Movie: Out of the Blue on Blu-ray
Yeah, Too Quiet: The Great Silence on Blu-ray
Vestron Double Bill: Dementia 13 and The Wraith
Farewell Dean Stockwell: His Years of Weirdness
Kung Fu Craft: Cinematic Vengeance! on Blu-ray
999 Letsbe Avenue: Gideon's Way on Blu-ray
Hungary for Cartoons: Hungarian Animations on MUBI
You Have No Choice: Invasion of the Body Snatchers on Blu-ray
You Can't Tame What's Meant to Be Wild: The Howling on Blu-ray
Commendably Brief: Short Sharp Shocks Vol. 2 on Blu-ray
Super Silents: Early Universal Vol. 2 on Blu-ray
Fable Fear: The Singing Ringing Tree on Blu-ray
Gunsight Eyes: The Sabata Trilogy on Blu-ray
Bloody Bastard Baby: The Monster/I Don't Want to Be Born on Blu-ray
Night of the Animated Dead: Director Jason Axinn Interview
The ParaPod: A Very British Ghost Hunt - Interview with Director/Star Ian Boldsworth
On the Right Track: Best of British Transport Films Vol. 2
The Guns of Nutty Joan: Johnny Guitar on Blu-ray
Intercourse Between Two Worlds: Twin Peaks Fire Walk with Me/The Missing Pieces on Blu-ray
Enjoy the Silents: Early Universal Vol. 1 on Blu-ray
Masterful: The Servant on Blu-ray
70s Sitcom Dads: Bless This House and Father Dear Father on Blu-ray
Going Under: Deep Cover on Blu-ray
Child's Play: Children's Film Foundation Bumper Box Vol. 3 on DVD
Poetry and Motion: Great Noises That Fill the Air on DVD
   
 

Too Much to Bear: Prophecy on Blu-ray

  Similar to the twenty-twenties, the nineteen-seventies were obsessed with ecology, and that exhibited itself in pop culture with the phenomenon of the revenge of nature movie. This had arguably begun with Alfred Hitchcock's The Birds in 1963, but that was such an odd effort that it took a while to catch on. However, by the seventies plenty of creatives had seen it on television broadcasts and something about its uncanny unease, where there is no apparent motive for the birds turning on people until you realise it's nature's way of reasserting itself over the damage humanity wreaks, appealed.

Especially when the seventies was truly the decade where horror films became global talking points and not merely suitable for diverting teens at the drive-ins or grindhouses: there was a genuine opportunity to use them to make commentary on society and, as the post-hippy hangover turned to focus on the paranormal and cosmic, the genre was being taken seriously. Yes, The Exorcist made an absolute fortune, but its pretenders, low budget and big budget, were doing very nicely at the box office too, thankyou very much, and you had a choice of what two typical flavours you would like to see: Satanic or environmental.

However, by the point Prophecy stumbled out of the trees roaring, the culture was moving on. It may seem hard to believe that after the championing of keeping the ecology as healthy as possible the world proceeded to say, "Yeah, been there, done that!", but that is what happened as the eighties dawned, and anything that was not making a tidy profit was relegated to the back burner. Prophecy, sad to say, was simply the last gasp of the previous decade's burst of activity that had brought us Frogs, where woodland creatures attacked, Day of the Animals, where every creature attacked, and of course Jaws, which demonised sharks ever after.



If anything, Prophecy was a combination of Frogs and Jaws, and though there had been killer bear movies before, such as Grizzly or Claws, this effort went one better by featuring a mutant killer bear driven insane by mankind's pollution! Or rather a bloke in a suit - often Predator's towering Kevin Peter Hall, among others - looking like something out of Godzilla vs the Smog Monster, and not coincidentally because the messed up, skinned-looking monster would have been a perfect candidate to tussle with Godzilla had he been given the opportunity to grow a hundred feet or so. Given the quasi-mystical aspects to David Seltzer's screenplay, you wouldn't put it past them.

Seltzer had been responsible for the writing of spoof insect documentary The Hellstrom Chronicle in 1973 which sternly informed the audience that insects and arachnids were primed to rise up and take over the planet, rather different from fifty years later when we are told not to swat flies or step on ants because the world's insect population is in peril. But back then, audiences were onboard to be terrified by such a concept, though that was nothing compared to Seltzer's 1976 screenplay The Omen, which rivalled The Exorcist three years earlier in its methods of tapping into post-religious angst in the viewers and had supposedly sane parents wondering if their little darlings could be the one and only Antichrist.

Therefore putting Seltzer on the job of penning an eco-horror, as director John Frankenheimer fancied helming a monster movie, should have been a shoo-in for another zeitgeist-grabbing blockbuster. But then you may recall Seltzer also wrote The Other Side of the Mountain, a shameless dollop of romantic treacle that demonstrated he was not always going to hit the target set out for him, artistically, anyway, and that explains why Prophecy is so damned earnest. Funnily enough, another 1979 flop was Nightwing, which also drew in Native American themes to bolster its care for the planet message, though here we had the Italian American Armand Assante pretending to be indigenous, which would have been a strict no-no decades later. Victoria Racimo, who played his partner, was Filipino-Irish, and gets a bafflingly gratuitous wet T-shirt scene near the end, distracting us from the battle.

Assante is a protestor against local lumber mills which are polluting the land and water with mercury (this, at least was an accurate accusation), and newcomers Robert Foxworth as a right-on doctor and his cello-playing wife Talia Shire represent our outsiders' way in to the story as they try to mediate between the authorities (led by Richard Dysart, acting everyone else off the screen) and the Natives, as all the while the bear is picking off campers and Assante is accused of its killings. Yes, that's where the kid in the sleeping bag is whomped against a rock and explodes in a cloud of eiderdown, the film's main talking point/hilarity magnet on its release - not the ecology. As the plot settles into a cycle of Foxworth and friends rambling through the forests (supposedly Maine, actually Canada) and being intermittently attacked because they have mutant mama bear's offspring to try to keep alive, despite pre-release cuts this remained a very gory movie, resulting in a weirdly bad taste plea to save the planet. It may have been old news back then, but Prophecy has found its feet since, for obvious reasons.

[Eureka release Prophecy on Blu-ray with these special features:

Limited Edition O-Card Slipcase featuring new artwork by Darren Wheeling [First Print Run of 2000 copies only] | 1080p presentation on Blu-ray from a High Definition transfer | Optional English SDH Subtitles | New feature length audio commentary by Richard Harland Smith | New feature length audio commentary by film writers Lee Gambin & Emma Westwood | New interview with screenwriter David Seltzer | New interview with mime artist Tom McLoughlin | Original Theatrical Trailer | PLUS: A LIMITED EDITION Collector's Booklet featuring new writing by Craig Ian Mann; and an archival interview [First Print Run of 2000 copies only].]

Author: Graeme Clark.

 

< Back to Article list

Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star probably has psychic powers?
Laurence Fishburne
Nicolas Cage
Anya Taylor-Joy
Patrick Stewart
Sissy Spacek
Michelle Yeoh
Aubrey Plaza
Tom Cruise
Beatrice Dalle
Michael Ironside
   
 
   

Recent Visitors
Graeme Clark
Darren Jones
Andrew Pragasam
Jason Cook
Enoch Sneed
  Desbris M
  Paul Tuersley
  Chris Garbutt
   

 

Last Updated: 31 March, 2018