HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Lupin the Third vs. Detective Conan: The Movie
Gangsta
3 Nuts in Search of a Bolt
Magic Serpent, The
That's Not Me
There Goes the Bride
Billy the Kid versus Dracula
Liquid Sword
I, Tonya
Universal Soldier: Regeneration
Bad Match
Güeros
Anchor and Hope
One, The
Captain Underpants: The First Epic Movie
Lucky
Still of the Night
Home Sweet Homicide
Mannaja - A Man Called Blade
Spitfire
Killers from Space
Castle of the Creeping Flesh
Ghost Stories
Wild Boys, The
Glamorous Life of Sachiko Hanai, The
Four Rode Out
Lethal Weapon 3
Kit Curran Radio Show, The
D.O.A.
End, The
   
 
Newest Articles
Manor On Movies--Black Shampoo--three three three films in one
Manor On Movies--Invasion USA
Time Trap: Last Year in Marienbad and La Jetée
Gaining Three Stone: Salvador, Natural Born Killers and Savages
Right Said Bernard: Cribbins on DVD
1969: The Year Westerns Couldn't Get Past
A Network Horror Double Bill: Assault and Death Line on Blu-ray
The Edie Levy: Edie Sedgwick, Andy Warhol and Ciao! Manhattan
The Ultimate Trip: The Original Psychedelic Movies
Players of Games: Willy Wonka, Tron and Ready Player One
What Am I Doing Hangin' 'Round? The Ends of The Monkees
Flings and Arrows: Conquest vs Flesh + Blood
Orson Around: F for Fake and The Late Great Planet Earth
ITC What You Did There: Retro-Action on Blu-ray
And It Was the Dirtiest Harry We Have Seen in a Very Long Time: The Dirty Harry Series
   
 
  I Vampiri Buy this film here.
Year: 1956
Director: Riccardo Freda, Mario Bava
Stars: Gianna Maria Canale, Dario Michaelis, Carlo D' Angelo, Paul Muller, Wandisa Guida
Genre: Horror
Rating:  8 (from 2 votes)
Review: When police find the body of a young woman floating in the river Seine, journalist Pierre Lantin (Michaelis) embarks on a personal crusade, aiming to solve the mystery of the so-called 'Vampire Murders.' The latest in a series of blood-drained corpses leads our intrepid newshound to a castle owned by the Duchess du Grand, whose neice, Gisele (Canale), adds further to a troubled history shared by the Lantin family and her own flesh and blood.

Often referred to as the first Italian horror film, I Vampiri started life as a bet between Riccardo Freda and two Italian film producers who wagered that Freda would not be able to shoot his proposed feature inside 12 days. The rest, as they say, is history. With 2 days left and only 50% of the script translated into film, Freda asked for an extension and was duly turned down. Freda walked, Mario Bava stepped in and managed to complete the film, courtesy of major script changes, the inclusion of stock footage and some truly inspired photography. The end result may occasionally reflect the rather bizarre production deal, but it's still a fascinating and visually impressive film which is strong enough to carry the weight of two great directors.

Freda's love of the macabre is well to the fore here, rubbing shoulders with Bava's already considerable talents to deliver suspense and shock in equal measure. As Bava's grand design unveils eerie candlelit tombs, hidden passageways leading to corpse-ridden rooms and, best of all, a remarkable transformation scene, the excellent cast grow in stature: Micahelis, promoted by Bava from supporting actor to major player; Canale, impossibly gorgeous as the cold-hearted beauty harbouring a dark secret; Antoine Balpetri's harrassed scientist, who is in just as much of a hurry as his director - in this case to produce results for a less-than model patient - and Paul Muller as a drug addict who exists on a supply-and-supply basis. Although Muller's character suffers from the directorial switch (the ligature marks on his neck are, literally, from another film entirely), this should not detract too much from a stylish study in terror which thoroughly deserved its promotion to DVD. While Image's disc presentation looks way too bright and washed-out in places, it generally provides a sharp, stable picture with bags of detail in those wonderfully spooky castle interiors. B+ for the transfer and the same for the film which marked the formative steps of a golden age.
Reviewer: Steve Langton

 

This review has been viewed 4068 time(s).

As a member you could Rate this film

 

Mario Bava  (1914 - 1980)

Italian director/writer/cinematographer and one of the few Italian genre film-makers who influenced, rather than imitated. Worked as a cinematographer until the late 1950s, during which time he gained a reputation as a hugely talented director of photography, particularly in the use of optical effects.

Bava made his feature debut in 1960 with Black Sunday/The Mask of Satan, a richly-shot black and white Gothic gem. From then on Bava worked in various genres – spaghetti western, sci-fi, action, peplum, sex – but it was in the horror genre that Bava made his legacy. His sumptuously filmed, tightly plotted giallo thrillers (Blood and Black Lace, Hatchet for the Honeymoon, Bay of Blood) and supernatural horrors (Lisa and the Devil, Baron Blood, Kill, Baby...Kill!) influenced an entire generation of Italian film-makers (and beyond) – never had horror looked so good. Bava’s penultimate picture was the harrowing thriller Rabid Dogs, while his last film, Shock, was one his very scariest. Died of a heart attack in 1980.

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Steven Seagal
Pam Grier
   
 
   

Recent Visitors
Andrew Pragasam
Graeme Clark
Stately Wayne Manor
  Patrick Keenan
Enoch Sneed
Ian Phillips
  Afra Khan
  Dan Malone
   

 

Last Updated: