HOME |  JOIN |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
Terror in Beverly Hills
Zoo Robbery, The
Anoop and the Elephant
Adrift
Never a Dull Moment
McQueen
Ugly Duckling, The
Apostle
Distant Voices, Still Lives
Hereditary
Cup Fever
Peril for the Guy
3 Days in Quiberon
Club, The
Best F(r)iends: Volume 1
Pili
Suspect, The
Baxter!
Dead Night
Thoroughbreds
Ghost and the Darkness, The
Strike Commando
Molly
Full Alert
Up the Academy
Darling Lili
Tehran Taboo
Follow That Bird
I, Olga Hepnarová
Finders Keepers
   
 
Newest Articles
If He Were a Carpenter and It Was the 80s: The Fog, Prince of Darkness and They Live
Tee-Hee, It's 80s Sci-Fi Horror: Night of the Comet, The Stuff and Night of the Creeps
Chance of a Ghost: The Uninvited and The Ghost and Mrs. Muir
3 Simian Slashers: Phenomena, Link and Monkey Shines
When is a Jackie Chan Movie Not a Jackie Chan Movie? Armour of God and City Hunter
Anytime Anywhere: The Complete Goodies at the BBC Episode Guide Part 2
Anytime Anywhere: The Complete Goodies at the BBC Episode Guide Part 1
I-Spy Scotland: The Thirty Nine Steps and Eye of the Needle
Manor On Movies--Black Shampoo--three three three films in one
Manor On Movies--Invasion USA
Time Trap: Last Year in Marienbad and La Jetée
Gaining Three Stone: Salvador, Natural Born Killers and Savages
Right Said Bernard: Cribbins on DVD
1969: The Year Westerns Couldn't Get Past
A Network Horror Double Bill: Assault and Death Line on Blu-ray
   
 
  Magic Serpent, The Follow that frog!Buy this film here.
Year: 1966
Director: Tetsuya Yamanouchi
Stars: Hiroki Matsukata, Tomoko Ogawa, Ryutaro Otomo, Bin Amatsu, Nobuo Kaneko
Genre: Fantasy, Adventure
Rating:  7 (from 1 vote)
Review: In feudal Japan the benevolent Lord Ugata and his wife are betrayed and murdered by Yuki Daijo (Bin Amatsu) and his sneaky ally Orochimaru (Ryutaro Otomo). The latter is both a ninja master and wizard and transforms himself into a dragon to wipe out Ugata's army. Fortunately a magical giant bird flies Ugata's little son to safety. Years later the boy, Ikazuchimaru (Hiroki Matsukata) grows into a dashing hero trained in wizardry by his wise old master. Whilst tangling with a gang of evil ninjas, Ikazuchimaru happens across a girl named Tsunade (Tomoko Ogawa) whom he discovers is searching for her long-lost father. When they return to consult Ikazuchimaru's master they find him poisoned by former student Orochimaru who has fled the scene. Before dying the old wizard clues Ikazuchimaru about his royal heritage. Whereupon our brave hero sets out to pit his magic skills against the villains, their ninja army and formidable dragon.

Unlike Japan's most notable studio Toho, Toei Films rarely dabbled in monster movies (kaiju eiga). Certainly science fiction, horror, superheroes and anime featured heavily in their output (indeed, the studio dominated the latter two fields) but on the whole they left giant monsters stomping Tokyo to their better-funded rivals. The Magic Serpent was Toei's only notable kaiju film. It handily doubled as a period ninja film made, as evident from a children's chorus that plays over the opening credits, with a family audience in mind. Much like the studio's Watari Ninja Boy (1966) released the same year. While The Magic Serpent was never released theatrically in the US the film was purchased by legendary exploitation distributors American International Pictures for screening on television where it won more than a few fans. Some have since speculated that The Magic Serpent might have been a significant influence on George Lucas given certain aspects of its plot resurfaced in Star Wars (1977). Among them the old mystic betrayed by the student that crossed over to the 'dark side' and a plot twist unmasking one villain as the heroine's father. Lucas, a noted fan of Japanese samurai cinema, famously lifted ideas from Akira Kurosawa's classic The Hidden Fortress (1958). So it is not impossible.

Stylistically The Magic Serpent foreshadows a great many techniques Toei later employed in their numerous sentai (superhero) serials in the Seventies: eye-catching pyrotechnics, breakneck action choreography and especially ingenious editing. While the monster suits will strike many as inferior to those crafted by Toho special effects wizard Eiji Tsuburaya, the creature set-pieces are no less engaging and staged sparingly. What is more the optical and miniature effects are inventive, colourful and charming. Among the standout moments: a ninja decapitates Ikazuchimaru whose head laughs maniacally, Orochimaru surfs a cel animated cloud, the film shifts into black and white with the arrival of Ugata's ghost, and our hero is attacked by flying doors. Tetsuya Yamanouchi crafts a distinctive style of fantasy film that was ahead of its time and would not catch on until the Hong Kong New Wave in the Eighties and the Japanese films influenced thereafter. A specialist in ninja fare, Yamanouchi did not direct many movies. His other notable works include two feature film outings for Mitsuteru Yokoyama's ninja superhero manga Red Mask (1969) and, interestingly, Hong Kong movie moguls the Shaw Brothers' mythological fantasy Na Cha and the Seven Devils (1973). More than anything The Magic Serpent benefits from expert editing that makes the comic book-like action sequences really pop. The film has a frenzied pace sure to thrill children and older action fans alike. It moves so fast and packs so many lively, ingenious set-pieces that the lack of substance is not really a problem. Nevertheless a few plot twists lend the film a pleasing moral and emotional complexity. It also ends on an interesting left-leaning note, unusual in fairy tale films, that champions working class tenacity above feudal heritage.

Hiroki Matsukata makes for an affable hero. A staple of chanbara films and later yakuza fare, the actor enjoyed on last bright shining moment in Takashi Miike's brutal but internationally-acclaimed samurai saga 13 Assassins (2010) prior to his death in 2017. Instead of the usual tiresome revenge driven martial arts hero, the plot makes a point to pinpoint Ikazuchimaru's altruism as an all round good ege always willing to lend a hand. The whole cast invest the fairy tale story with utmost sincerity. Something vital towards maintaining a sense of wonder. Taken as a fairy tale, pure and simple, The Magic Serpent spins an enchanting yarn.

Reviewer: Andrew Pragasam

 

This review has been viewed 77 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Who's the best?
Steven Seagal
Pam Grier
   
 
   

Recent Visitors
Graeme Clark
Paul Shrimpton
Andrew Pragasam
Stately Wayne Manor
  Patrick Keenan
Enoch Sneed
Ian Phillips
  Afra Khan
   

 

Last Updated: