HOME |  CULT MOVIES | COMPETITIONS | ADVERTISE |  CONTACT US |  ABOUT US
 
 
Newest Reviews
El Camino: A Breaking Bad Movie
Ladyworld
Rocketman
Kid Who Would Be King, The
Making Waves: The Art of Cinematic Sound
America America
Darkest Minds, The
Along Came Jones
Hummingbird Project, The
Under the Table You Must Go
Harry Birrell Presents Films of Love and War
Hanging Tree, The
Godzilla: King of the Monsters
Scooby-Doo! Camp Scare
Itsy Bitsy
Witchmaker, The
Prey, The
If It's Tuesday, This Must Be Belgium
Happy Death Day 2U
Full Moon High
Strange But True
Kamikaze 1989
Never Grow Old
Time of Your Life, The
Mountain Men, The
Epic
Best Before Death
John Wick Chapter 3: Parabellum
Isabelle
Non-Stop New York
Once Upon a Time in Deadwood
Oblomov
Alita: Battle Angel
We the Animals
Ibiza Undead
Wings of Eagles, The
Beats
Body Parts
Shock of the Future, The
Friday
   
 
Newest Articles
Growing Up in Public: 7-63 Up on Blu-ray
Learn Your Craft: Legend of the Witches and Secret Rites on Blu-ray
70s Psycho-Thrillers! And Soon the Darkness and Fright on Blu-ray
Split: Stephen King and George A. Romero's The Dark Half on Blu-ray
Disney Post-Walt: Three Gamechangers
But Doctor, I Am Pagliacci: Tony Hancock's The Rebel and The Punch and Judy Man on Blu-ray
Once Upon a Time in Deadwood: Interview with Director Rene Perez
Shit-Eating Grim: Salo, or the 120 Days of Sodom on Blu-ray
Stallone's 80s Action Alpha and Omega: Nighthawks and Lock Up
Python Prehistory: At Last the 1948 Show and Do Not Adjust Your Set on DVD
You Could Grow to Love This Place: Local Hero on Blu-ray
Anglo-American: Joseph Losey Blu-ray Double Bill - The Criminal and The Go-Between
Marvel's Least Loved and Most Loved: Fantastic 4 vs Avengers: Endgame
Battle of the Skeksis: The Dark Crystal Now and Then
American Madness: Sam Fuller's Shock Corridor and The Naked Kiss on Blu-ray
Flight of the Navigator and the 80s Futurekids
Trains and Training: The British Transport Films Collection Volume 13 on DVD
Holiday from Hell: In Bruges on Blu-ray
The Comedy Stylings of Kurt Russell: Used Cars and Captain Ron
Robot Rocked: The Avengers Cybernauts Trilogy on Blu-ray
Hammer's Bloodthirsty Bad Girls 1970: Lust for a Vampire and Countess Dracula
Hammer to Fall: Kiss Me Deadly on Blu-ray
Home of the Grave: The House That Dripped Blood and Asylum on Blu-ray
Wondrous Women: Supergirl vs Captain Marvel
Things Have Changed: Films You'd Be Insane to Make Now
   
 
  What Happened to Monday Sister ActBuy this film here.
Year: 2017
Director: Tommy Wirkola
Stars: Noomi Rapace, Glenn Close, Willem Dafoe, Marwan Kenzari, Christian Rubeck, Pål Sverre Hagen, Tomiwa Edun, Cassie Clare, Cameron Jack, Clara Read, Kirsty Averton, Lucy Pearson, Nadiv Molcho, Elijah Ungvary, Vegar Hoel, Robert Wagner
Genre: Action, Science Fiction, Adventure
Rating:  6 (from 1 vote)
Review: Towards the middle of the twenty-first century, a global crisis had gripped humanity as the population explosion had been allowed to get way out of hand, with people crowding every ever-expanding city and the food running out since there was not enough for every belly. However, a solution was sought with genetically modified food which proved bountiful but had an unfortunate side effect: women eating these comestibles would become incredibly fertile, and births of up to seven siblings were not uncommon. Clearly something had to be done, and at the head of the research Nicolette Cayman (Glenn Close) had the answer: cryogenically freeze the children...

Not all the children, just the surplus ones so that every family has the maximum of a single offspring while the authorities work out what to do with the kids they have deep frozen in storage. Which was high concept enough as it was, though What Happened to Monday was less like Soylent Green and more like one of those incredibly daft science fiction yarns of a more recent vintage, the supposedly serious yet actually preposterous Equilibrium or Upside Down, for example. The idea here was that one family had slipped through the totalitarian world government's clutches, and a group of seven sisters, raised by their grandfather (Willem Dafoe), had a neat solution.

Given they looked all alike, identical in fact, and all played by Noomi Rapace, they could go out on one day a week while pretending to be the same person. To get around any awkward questions, they hold a meeting every evening to get the facts of what has happened to each of them in this guise, so there will be no gaffes as they all know everything about this "Karen Settman" character they adopt, and they have reached the age of thirty without any mishaps whatsoever. Now, this may sound farfetched, but you have got this far so don't bail out now for there were some genuine amusements to be garnered from watching Rapace playing with herself. Or rather, playing against herself. Um.

Naturally, this situation cannot continue as it has been (grandfather is long out of the picture, but his influence continues), so a spanner is thrown in the works when one of the ladies goes missing, the titular Monday (they are all named after days of the week and venture out on the days with their name). As the others left behind wonder what to do next, it would appear the powers that be are onto them and have decided to clamp down, as they do with every extraneous person in this overcrowded world, even to the extent of murdering them. They say they will take the sisters out of the picture discreetly, although in practice this plays out as shooting at them as they flee across busy streets, gunning down passersby in flagrant denial of their supposed policy of secrecy, and somehow this never leaks to the press.

However, the biggest issue here was not those action movie clichés which director Tommy Wirkola embraced as if he had invented them, it was the premise itself. Should the population on the planet's surface grow to be ten billion, with a million born every day, the simple answer would be abortion, yet even though this was a European movie from countries where that was not so much of a hot button topic, nobody in the plot thinks, how about removing the foetuses when they are in a nascent stage and leaving one baby to grow in the womb, if that is what the mother wants? Or even, how about increasing access to contraception which would eliminate the problem in one fell swoop? No religious authority was invoked, yet this appeared to be pandering to the most stringent of fundamentalist beliefs nevertheless, all to make their already hard to swallow concepts operate as a successful narrative. Surely the above two solutions would be preferable to what this posits as the obvious consequence, incinerating little girls (!). Otherwise, Rapace was fun, but there was a particularly boneheaded anti-science agenda behind this that was borderline offensive, only pulling back at the end for a "waaaaaiiiit a minute" final shot. Music by Christian Wibe.
Reviewer: Graeme Clark

 

This review has been viewed 966 time(s).

As a member you could Rate this film

 
Review Comments (0)


Untitled 1

Login
  Username:
 
  Password:
 
   
 
Forgotten your details? Enter email address in Username box and click Reminder. Your details will be emailed to you.
   

Latest Poll
Which star do you think makes the best coffee?
Emma Stone
Anna Kendrick
Michelle Rodriguez
Sir Patrick Stewart
   
 
   

Recent Visitors
Darren Jones
Graeme Clark
Paul Smith
Andrew Pragasam
  Rachel Franke
Enoch Sneed
Paul Shrimpton
  Desbris M
   

 

Last Updated: